![]() ![]() The first thing one notices with the AE-1 is that it’s a gorgeous camera. The quote below if from a wonderfully detailed review that I would highly recommend you read if interested in purchasing this camera. The first image of this post I shot on a Canon AE-1 35mm Film Camera w/ 50mm 1:1.8 Lens.But you don’t need to go on an antique-store treasure hunt to find what you need, either. Just To Recap:įor those of you who are interested and don’t know where to start, I wanted to leave you with a list of resources and products that I personally use! Now, as I mentioned earlier, one of the benefits of shooting film is how accessible and affordable finding old cameras can be. In fact, it’s so exciting that some brands are even taking the screens off their newest digital cameras. Whether it is that amazing picture you had already forgotten about or the unexpected light leak that actually fits in perfectly – it’s never boring. You want to see it more than anything in the world, and when you actually do, you always have surprises. The first time you pick up a roll of film you’ve just finished is just like Christmas morning. Pentax K1000 / Fuji Superia 200 The surprise factor. Nowadays some consider grain to be unwelcome, it can be a wonderful element in a good picture, especially if you’re shooting black and white. The amount of grain depends, on many aspects, mostly the ISO of the chosen film. Not wanting to get all technical, but what is originally called grain actually comes from small silver particles that are present in film. What you have in digital photography is not grain, but noise (or digital grain as some choose to call it). What you have in digital photography is not REAL Grain: This particular element is, however, an original property of film photography which can easily be edited into your digital photos (Lightroom’s Grain tool). Grain, for example, is something that can have a wonderful impact on a photograph. Nowadays, most editing software offers effects that replicate the results you achieve naturally by shooting on film. It will, at times, give you 36 exposures of pure satisfaction, just because you made sure to prepare what you were doing! Moreover, if you’re on the beginner side of things, this is one of the most successful ways to learn – think your picture through Film’s incredible aesthetics. This, let me tell you, can make all the difference, especially when photographing landscapes. You actually end up making sure you are getting the best light and that the composition is exactly what you want – spending some time alone with the scene and the camera. What it does is that it makes you plan and compose your shots carefully. The thing is, this actually comes out as an advantage. Well, when you’re shooting film you have a limited amount of exposures per roll, so naturally, you won’t be acting similarly. We all know that when we have a digital camera on our hands we tend to have dozens of shots of the same scene. Canon AE-1 / Kodak Ektar 100 The art of thinking your photos through. ![]()
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